Magic Ponytail

Yes, Melody again. I have things to say about what I call the “meet cute” scene, but I just watched closely enough to be sure the filming goof I that had left me confused before was indeed a goof.

I’ll cover the thoughts and feels, too. That is exactly how it happens. As much as other scenes and uses of songs grabbed me, this scene was the epitome of being young and falling in love “at first sight” with a young lady. Maybe she’s been in your school and maybe you’ve seen her before, or maybe not, but then it hits you. The world stops and there is nothing else.

Daniel’s friend Ornshaw grabs Daniel and another boy as they are about to head up another flight of stairs, pulling them to the window of a door to a room where dance instruction of some girls is happening. Ornshaw is facially jeering and laughing at the girls, and perhaps the adults, and gets the others in on it, if not as derisively. Daniel is as fascinated as amused in the first place, then he sees her. Musical notes of their theme, First of May, slow and wistful, can be heard. Melody is dancing, tossing her hair as she spins and looks upward in slo-mo, somewhere beyond fetching.

Now he has only eyes for her, and he certainly isn’t laughing. Then there a bang, Ornshaw looks startled, and the teacher opens the door to pull them in and punish them by making them dance ballet along with the girls.

Daniel actually makes an effort, trying to keep his eyes on Melody the whole time. She notices and smiles at him twice. The next scene is after school, all the kids thundering out the doors and taking off for whatever they get up to on the run home, while he ducks aside to a drinking fountain to watch for her to come out the door. Then he follows, gets caught watching her and some friends gathered in the overgrown cemetery, and heads away while her friends laugh and she looks thoughtful. But I’m getting ahead of myself.

One resonance for me is that there’s a dance connection with my first crush from fourth grade. To be visited later, but aspects of Daniel and Melody remind me of aspects of that first crush, my second really major crush, the most significant one of high school, in ninth grade, and a girl from my second year of college, eight years later.

Back to the movie goof. We see melody with completely loose hair as he sees and falls in love with her. (This is a key point when I look at the timetable of the film events.) Then we see her with her hair tied back in a ponytail, with a blue ribbon or bow. Depending on shot or angle, she is back and forth from being one way or the other and ends up mostly in the ponytail. This is a filming discontinuity, where she was one way for some takes and the other way for other takes. They were put together without concern for the difference. Not important, but I noticed.

I just love that part. I love lots of parts. It’s the initial turning point in the relationship between Ornshaw and Daniel, highlighted in the earlier part of the film. Ornshaw triggers the fact that a girl would come between them, yet continues to facilitate.

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