I can’t help thinking that Ornshaw hopping into the back seat of Mrs. Latimer’s car at the beginning of Melody, initially landing in the same spot in the middle, is meant to be analogous to the bomb landing in the car in the same spot at the end of the movie. I’d noticed this before but I don’t believe I had written it. It stood out for me just now on a casual watch of part of the film between doing other things. Ultimately he blows up her tidy little world. He’s the catalyst and enabler of the events of the film. No Ornshaw, no Melody. It’s cleverly done. No wonder Parker – assuming he was the source of it via his primary role in the script – turned out to be a brilliant filmmaker.